Updated November 2023.
Music Credit: EXCESS – HEALTH, Perturbator
00:04 – 00:19, 01:12 – 01:20 | Star Trek: Discovery – Paramount+ | Art Direction, Concept Art, Storyboards, Digital Matte Painting
Created using Photoshop.
Responsible for concept art/storyboards that choreographed ship dog fight sequence, art direction of the “DMA” rift nebula/black hole.
00:20 – 00:39 | Your Place or Mine – Netflix | Art Direction, Layout, Modeling, LookDev, Digital Matte Painting
Created using Maya, Photoshop, Vray.
CG created in tandem with Crafty Apes NYC CG Team, responsible for all DMP elements.
00:40 – 00:55 | The Crowded Room – Apple TV | Art Direction, Layout, Modeling, LookDev, Lighting, Digital Matte Painting
Created using Maya, Substance Painter, Photoshop, Vray.
CG created in tandem with Crafty Apes NYC CG Team, responsible for all DMP elements.
00:56 – 01:11 | Hello Tomorrow! – Apple TV | Art Direction, Modeling, LookDev, Lighting, DMP
Created using Maya, Substance Painter, Photoshop, Vray.
CG created in tandem with Crafty Apes NYC CG Team, responsible for all DMP elements.
CG & Matte Painting
Working for Crafty Apes VFX in New York City, I’ve gotten to create complex CG/DMP set extensions on episodic television and feature films. This current reel, uploaded in July 2023, includes a cross-section of work and breakdowns that demonstrate my knowledge in the full CG Generalist pipeline alongside the execution of large multi-angle digital matte paintings.
Special Thanks to all the teammates that made these shots possible:
Matthew Robertson – Lead Compositor
Kevin Couture – CG Supervisor
Sandor Toledo – Lead CG Generalist
Joe Grossmann – CG Generalist
Mike Reiser – CG Generalist
Timothy Kim – Tracking Supervisor
Special Thanks to these fearless leaders:
Leslie Chung – Senior VFX Supervisor
Alex Dreiblatt – VFX Supervisor
Sarah McCulley – Senior VFX Producer
